An international contemporary art magazine covering sculpture, painting, mixed media, and installation works, as well as architecture, music, and popular culture. Includes artist interviews and reviews of individual artists and/or galleries; reviews of film, books, and music; and an international arts calendar. For collectors and curators of contemporary art and general audiences with an interest in art.

Art History is an international forum for peer-reviewed scholarship and innovative research. Founded in 1978, the journal publishes essays, critical reviews, and special issues that engage with path-breaking new developments and critical debate in current art-historical practice. Art History covers all kinds of art and visual culture across all time periods and geographical areas. The journal welcomes contributions from the full spectrum of methodological perspectives, and is a forum for a wide range of historical, critical, historiographical and theoretical forms of writing. By means of this expanded definition, Art History works to transform and to extend the modes of enquiry that shape the discipline.

Art Journal, established in New York in 1941, is a publication of the College Art Association of America (referred to as "CAA"). As a peer-reviewed, professionally moderated scholarly journal, its concentrations include: art practice, art production, art making, art history, visual studies, art theory, and art criticism.

Arts is an international, peer-reviewed, open access journal which provides a forum for scholarly exploration of visual arts, music and performance arts, applied arts, popular arts, arts and technology. It publishes articles, commentaries, creative papers, essays, opinion papers, and reviews, focused on promoting dialogue and debate within the arts. Arts welcomes submissions from authors and artists around the world and is published quarterly in March, June, September, and December.

Flash Art is a bimonthly magazine focused on contemporary art

Frieze is a media and events company that comprises three publications, frieze magazine, Frieze Masters Magazine and Frieze Week; and three international art fairs, Frieze London, Frieze New York and Frieze Masters; a programme of courses and talks at Frieze Academy, and frieze.com - the definitive resource for contemporary art and culture.

Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.

Established in 1942 by the American Society for Aesthetics, The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely reviews of books in aesthetics and the philosophy of art. The philosophy of art includes scholarship examining the nature, meaning and value of the arts, considered generally or individually, where the arts are taken in the broadest possible sense. Aesthetics includes work on aesthetic experiences and values wherever they are found both in and beyond the arts.

The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research.

The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.

Modern Painters is the definitive international source for analysis of contemporary art and culture – from painting and sculpture to photography, film, architecture, design and performance.